It was our greatest photographic challenge to date.  We were hired to shoot a wedding that we were quite excited about…just one catch.  The bride didn’t want photography.

We were hired by the groom’s mother.  It all seemed very routine.  It was a gift from the groom’s mother, and I thought she was just helping her son and new daughter-in-law by taking care of the one thing that every bride wants:  stunning photography, right?  With my contract to the bride, I also send a pretty detailed questionnaire.  A timeline of the events, addresses of locations, important people to photograph, etc.  I received back nothing but a signature and an email address. As we got closer to the date of the wedding, I tried to reach our bride, but she was clearly avoiding me.  I was in a panic.  How would I know what style of photography she wanted?  Was she a formal, posed group type of girl, or did she like candid photojournalism?  Did she have a location in mind for group shots?  Did she want group shots?  Who were the important people in her life?   A day before the wedding I reached out to her future mother-in-law and was informed that her new daughter adamantly didn’t want a photographer, but she would just have to “suck it up”.  I was petrified.  Here was the most important day in a young woman’s life, and we were about to appear with cameras and our gear, no more wanted that the paparazzi with an armful of lenses in the face of Alec Baldwin.

How to approach it?  We were hired to capture all those lovely, smiling happy moments, to do our best to create beautiful memories, and now we had to navigate around an angry bride and some clearly complicated family issues.  We decided to approach it the best we could,  please our client, focus on the guests, put on our longest lenses, and attempt to be as discreet as humanly possible.  I met the groom first.  He was perfect.  I couldn’t believe our luck.  Young and handsome, with a brilliant mohawk that instantly made me deliriously happy.  I wasn’t allowed to see the bride beforehand, so I waited for her to appear for her walk down the isle, armed with my longest lens and hoped I wasn’t about to ruin her day.

She was awesome.  Covered in tattoos, makeup-free, rocker chick with a flowing, easy white gown.  Did she know how we adore couples like this?  Young and bad ass and tattooed and different?  Visibly pregnant, I suddenly wondered if this was the issue.  Did she want me to hide her adorable baby bump, or feature it?  If only I knew what she wanted, I knew we could have knocked this young tattooed, off-beat couple out of the park with some cool, edgy photos.  As she started her walk with her father, down the isle to her handsome future husband, I zoomed in from across the room, hoping to catch the glint of joy in her eyes.  Possibly it was my fear of ruining her day, but I could have sworn her glaring contempt for me was palpable.

As the day unfolded, we carefully did a balancing act, of trying to catch her happiest times, while not being intrusive, as she ducked and dodged us at every turn, until finally, at last, we asked our couple to do us one favor…give us the finger.  It was officially the most genuine, wonderfully warm moment of our interactions with her.  I hope she loves her photos.  I hope she cherishes them forever and that we were able to capture all those details that she won’t remember one day, or was too busy to notice at the moment.  I’ll probably never know, ’cause she’s just not that kind of chick.  And as someone who desperately craves the words that my brides (or anyone else we photograph) are totally in love with every moment that we put our hearts and souls into capturing, I’m oddly ok with that.

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Several months ago, Paul and I decided to play with Indian Holi Powder as a prop for photo shoots.  After our first fun and playful spring shoot with alternative model and performer Smurf, we were hooked.  After an overwhelming response by models volunteering to let us pummel them with the colorful powder, we soon followed up with a bevy of Philly beauties.  There was the sultry, urban shoot with burlesque performer Nikki Malicious, an artistically introspective studio shoot with artist and model Lily Cheshire, graffiti inspired with tattooed graphic designer Stephanie Price, nature inspired shoot with stunning model Porsha Terry, and random unplanned nudity with artist Yenna Kills.  We were fairly sure we had played out the whole Holi Powder thing,  until we met Tyrone Mitchell of The Mitchel Media Group.

Tyrone contacted us about producing a large scale shoot with several models involved.  We were thrilled.  As much as we love shooting, the “business” of photography can be quite exhausting.  Booking models, finding studios, processing and delivering thousands of photos…it’s just become bigger than a 2 man operation can keep up with.  This shoot was going to be different.  We could do the part we love, shooting, and Tyrone would take care of the rest.

A couple of weeks and a snow storm later, we met Tyrone at home of photographer Greg Maxx’s, Red Cedar Studios, with all the space we could possibly need.  Armed with 12 pounds of Holi Powder, and our trusty sidekick and powder sniper Chris Garten of Jinxed Heart Photography, we set up a few different shooting areas, and were greeted by 5 beautiful women who braved the icy Philly roads for an afternoon of playing with the powder on their skin.

Models Nije Durdeen, Niko Smith, Josie Gonzalez, Kendra Danielle and Alexus Bone’y were absolutely perfect and professional in every. Each one a strong, beautiful model, unique in personality and style, and made the day run as smoothly as can be expected for a large group of people covered in colored powder.  We’re absolutely thrilled with our biggest and most varied powder shoot to date!  Big thanks to Tryrone Mitchell for producing an amazing shoot and to each and every one who made it a reality.

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